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Coca-Cola and UMG’s Real Thing Records

Coca-Cola and Universal Music Group (UMG) just dropped a bombshell. On June 11, 2025, they teamed up to launch Real Thing Records (rtr), a new label to boost emerging artists worldwide. Gen Z and young millennials are all about this mashup – music and brands colliding like never before. Back in the day, pairing soda with songs was wild; think Pepsi and Michael Jackson. Now? It’s a natural evolution for your generation, blending creativity with corporate swagger.

So, what’s the deal? Coca-Cola and UMG are joining forces to sign fresh talent – like French-New Zealand artist Max Allais and Indian producer Aksomaniac – focusing on all genres, no limits. The goal? Amplify authentic voices and connect artists with fans, using Coke’s global reach and UMG’s artist know-how. It’s not just a label; it’s a launchpad for the next big thing, with a “genre-agnostic” vibe that screams Gen Z flexibility. This move builds on Coke’s Coke Studio legacy, where stars like NewJeans and Karol G dropped tracks, but rtr takes it deeper – think long-term investment in your music scene. For a generation raised on streaming and collabs, this feels right.

Why’s this a big deal? Music and soft drinks have been flirting for decades. Back in the ‘80s, Pepsi changed the game with Michael Jackson’s $5 million deal in 1983, tying his “Thriller” magic to their “New Generation” campaign. That wasn’t just an ad – it was a cultural shift, with Jackson’s moves on cans and his “Billie Jean” remix as a jingle. Pepsi kept the fire going with Madonna, Britney Spears, and Beyoncé, turning soda into a pop culture lifeline. Coke hit back with Paula Abdul and that “I’d Like to Teach the World to Sing” anthem in 1971, but Pepsi’s star power stole the spotlight. These collabs weren’t just sales pitches; they shaped how you see brands today.

Fast forward, and the vibe’s evolved. Coke’s Coke Studio started in Pakistan, spreading global beats, while Pepsi leaned into live events like the Super Bowl halftime (2013-2022). Both brands saw music as more than background noise – it’s a lifestyle. The New York Times and Billboard reveal how these giants spend hundreds of millions of dollars yearly, from Spotify tie-ins to custom tracks. Now, rtr takes it next-level, signing artists like Aksomaniac, who fuses jazz, hip-hop, and Carnatic beats, showing Gen Z’s love for boundary-breaking sounds. You’re not just drinking Coke – you’re part of its rhythm, and that’s the evolution at play.

What’s driving this? Your generation grew up with tech blurring lines – Insta filters, YouTube covers, TikTok trends. Music’s your identity, and brands know it. The rtr launch quotes Coke’s Joshua Burke saying artists today own their brand, connecting with fans on a personal level. UMG’s Richard Yaffa adds that music sparks culture, and this partnership proves it. For 15-34-year-olds, raised on remix culture and collabs, a soda giant backing your beats feels like a power move. It’s not about selling drinks any more – it’s about fuelling your creative fire, and Gen Z’s here for it.

Why Glamour & Grime Is Amped About This

This rtr announcement makes sense – music as freedom, brands as allies, not just ads. Imagine new artists getting global shine, breaking through with Coke’s muscle. We’re pushing for that, we want media and brands to showcase new artists, not just the corporate-polished ones.

Some sceptics on X are side-eyeing this alliance, calling it “corporate synergy” over art. Fair point – brands can drown creativity. Yet, with UMG’s artist focus and Coke’s fan-first talk, it’s a chance to balance profit with passion. The 15-34 crowd wants authenticity, and rtr’s early signings hint at that. We’re here to ensure it stays true, amplifying your sound, not just their sales.

This is your moment. Maybe you’re a teen dropping beats in your room, or a 20-something producer mixing global vibes. You’re living this evolution, and rtr could be your shot.

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